思思帮帮忙，看这code 还有救没，我怎么折腾也发不了，先谢

来源: 啊扑于 2011-11-29 21:24:35 [博客] [旧帖] [给我悄悄话] 本文已被阅读：次

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<font size="4"> 对业余摄影爱好者来说，平日的扫街就是玩玩摄影,练练手，不能指望太多，可叫作“street photography"，也能勉强叫作”documentary photography"。<br />

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但是,如果不小心碰到啥重大事件发生，一个好的扫街者就要小心了,他应该能立刻摇身一变,成为很专业的Photojournalist。这时，扫街便极可能与历史事件发生关联,如果真能如此，扫街就完成了其终极意义，同时也实现了扫街者应该具有的最原始的野心。<br />

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那么,对于业余扫街者,学习些Photojournalist的专业伎俩,似乎是必要的,其中环境人像又是扫街的重要部分,本篇由此而来,就人像及环境人像做点介绍,希望能给大家扫街一点参考和帮助. 也希望给大家点印象，决定性瞬间、戏剧性、现场性、情感张力等等传统的摄影语言，正在悄悄地变化，有的几乎被颠覆，凸显情绪、情感、气氛等强调个人化介入的片子越来越多地进入纪实及新闻摄影，扫街也不例外，其发展方向估计也大致如此。<br />

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另外要说明一下,本篇的照片均来自网络,文中附了拍摄者的简单信息,以及个人读片的体会，这些体会都是经过千锤百炼，深入研究，深思熟虑后所得出的完全不靠谱的思维碎片，如同上面几段不着四六的话，俺姑妄言之，大家姑妄听之。慧扑禅语自云:"说即不说,不说即说,评即不评,不评即评",禅学的双肯定奇怪逻辑,也许同样适用于摄影评论.说到底,照片自己会说.

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<br />然而，也不是说无处着眼,所选片子的摄影师还是值得大家注意的，他们都是近10年来世界范围内非常活跃的摄影牛人.至于他们如何地牛,如何地泼辣，大家搜搜便知,这里不再赘述.<br /><br />

上为想到的话，至于没想到的，就不说了。这里感谢超级乌鸦嘴又名akuan俗名宽班在N月前的邀请，折腾此篇以回复。
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<center> <h2> <br /><br />1.单纯人像和环境人像</h2></center>

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               细节
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               Marco Di Lauro (born in 1970, Italy)
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               背景映衬及动作瞬间的把握。广而推之，任何短时间的动作都值得注意。
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<div> <img src="http://farm7.static.flickr.com/6019/6304600205_8b080a1a90_z.jpg" alt="Flying screens" style="float:left;margin:0 60px 50px 0" /><font size="4" face="verdana" color="black"> <br />
             <br /> Ed Kashi (born in 1957，USA)
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               传统的室内光影，因主角形象特殊而使片子不同凡响。扩展之,则为主体特殊，经典拍法；主体普通，绞尽脑汁,换换拍法。
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<div> <img src="http://farm7.static.flickr.com/6233/6305124410_59671a5931_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
              Andrew McConnell (born in 1977, Irish)
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               "A woman who was raped by a government soldier recovers at Heal Africa hospital in Goma" <br />
               色调哀伤，模糊突出情绪，出于尊重用剪影隐去主体形象。</font></p></div>

<div> <img src="http://farm7.static.flickr.com/6100/6305124472_dd72a0bccd_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
               Davide Monteleone (Born in 1974,Italy)
               </font><p><font color="black">
               Fashion show 的一个镜头。<br />
               光有fashion的美艳还不够，photojournalist更喜欢玩独特眼光和构图。
               </font></p></div>

<div> <img src="http://farm7.static.flickr.com/6219/6305124596_1801c0c0a5_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
              Daniel Berehulak (born in 1975， Australia)
               </font><p><font color="black"><br /><br />
               India某节日互抛彩粉活动。<br />
               色彩惊艳。寻常街道，因节日活动而精彩。
               </font></p></div>

<div> <img src="http://farm7.static.flickr.com/6034/6319520113_3cb3f70222_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black">
              Winship Vanessa (born in 1960,UK)
               </font><p><font color="black">
               微版蒙娜丽莎的微笑。娇羞而神秘。凭此一片，便可笑傲世界摄坛。<br />

貌似凌乱的背景，窗里窗外，反射，明暗，表情等等诸多元素的绝佳组合，成就了难得一见的美妙瞬间。人和环境的配合与取舍，一直是环境人像的纠结点，<br />
突破了这一关而达到随心自然，真是难上加难啊.
</font></p></div>

<div> <img src="http://farm7.static.flickr.com/6051/6304600605_8b877a18bb.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /> <font size="4" face="verdana" color="black">Sally Mann (born in 1951 ,USA)
</font><p><font color="black"><br /> 艺术家眼中的环境与情绪
</font></p></div>

<div> <img src="http://farm7.static.flickr.com/6212/6304600717_de9fd72f5a_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
               Andrew Testa（Born in London, UK）
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               走过路过片。环境交代与手持奶瓶。
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<div> <img src="http://farm7.static.flickr.com/6035/6304600777_cf1c56c31f_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
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               </font><p><font color="black"><br /><br />
               "Northern Uganda, More than 1 500 000 people have been displaced to IDP camps and are living in dreadful conditions for the last 19 years."<br />
               光，光，光
               </font></p></div>

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               Katie Falkenberg（USA）
               </font><p><font color="black"><br /><br />
               多么眼熟的构图啊，是在对William Klein表示敬意吗？（参见华兄之50摄影大师介绍之42）<br />
这么看来,超喜欢William Klein不只俺一个。俺曾说过，“很喜欢William Klein,他是反对摄影恶霸布列松的人物之一,其摄影手法已广泛地被新一代摄影师使用”，此片便为证例。他55年就开始模糊扫街了，可谓模糊扫街鼻祖。他的任何一张片子拿出来，绝对想不到是上世纪50年代拍得，倒像是本世纪拍的，夸张一点说，他比布列松在意识上先进了50年。从根本上说，他是更早地思考了主观因素在摄影中的作用。
               </font></p></div>

<div> <img src="http://farm7.static.flickr.com/6049/6305125050_555eaca90d_z.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
               Damon Winter
               </font><p><font color="black"><br /><br />
               Reflection之镜中人
               </font></p></div>
<div> <img src="http://farm7.static.flickr.com/6105/6305125128_e229cdb159_b.jpg" alt="Flying screens" style="float:left;margin:0 50px 50px 0" /><font size="4" face="verdana" color="black"> <br />
               Nadav Kander（born in 1961, Isael)
               </font><p><font color="black"><br /><br />
               用光与特殊环境背景，引人瞎想，奏是咋想也想不明白。归于环境探索吧：）
               </font></p></div>

<div> <img src="http://farm7.static.flickr.com/6091/6304601031_7b7d3525ac_z.jpg" alt="Flying screens" style="float:left;margin:20px 80px 50px 0" /><font size="4" face="verdana" color="black"> <br />
              <br /> Jodi Bieber（born in 1966,South African ）
               </font><p><font color="black">
               "I think if you believe you are beautiful, you will appear beautiful to the world. " Brenda<br />
               人像不一定都是美美的，糖水的，Jodi Bieber以低视角，表现出对一切自然的事物相当的尊重。
               </font></p></div>

<div> <img src="http://farm7.static.flickr.com/6037/6305125380_f883522fae_z.jpg" alt="Flying screens" style="float:left;margin:20px 80px 50px 0" /><font size="4" face="verdana" color="black"> <br />
              <br /> Rena Effendi（born in 1977, Azerbaijan）
               </font><p><font color="black">
              用光与传统的韵味。<br />
               阿塞拜疆原属苏联，久远的俄罗斯文化，总能孕育出各类底蕴深厚的艺术家。
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<center> <h2> <br /><br />2.Paolo Pellegrin的人像组片</h2></center>
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作为Magnum member,Paolo Pellegrin也有不务正业时侯，拍明星照如同在扫街,大炫其扫街技巧，片子虽不如fashion杂志里的那样糖水，但非常别致有趣,很喜欢.这套图也可以说是到目前为止俺找到的最精彩的环境人像 photo essay。
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<center> <h2> <br /><br />3.甜点之艺术类人像欣赏</h2></center> <center>
<br /><br /><IMG hspace="0" border="1" SRC="http://farm7.static.flickr.com/6219/6327663832_7269102548_b.jpg" /><br />
John Wadsworth<br />fashion摄影模糊大拿. 模糊与情绪.<br /><br /> <br />

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Anka Zhuravleva (born in 1980,Russia)
<br />艺术世家,极具才华,能画能摄,未来不可限量. <br /><br /> <br />

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Danielle Tunstall (England)
<br />以horror photography 闻名,是恐怖专家. 片子还好,一般恐怖啦.最恐怖的是其创意,有无穷多,令人发指.<br /><br /> <br />

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Ellen Rogers1(England)
<br />拍摄女同专家,有多个系列.片子多是粉粉的调调,美丽妖艳而又透着忧伤.好像对女同深有理解.<br /><br /> <br />

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Ellen Rogers1(England)
<br />

Ellen Roger亦号称是all-analogue fashion photographer.胶片的多次爆光而达到影像叠加,比繁琐的数码后期有优势.胶片如同音响中的电子管，虽古老，但画质与音质是数码不可比拟的，仍是高级发烧友的挚爱.

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John Santerineross (Born in 1955 ,USA)
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虽然他很讨厌被归类,但还是被归为neo-symbolist photographer. 因为试图用怪异色情的画面提升出哲学的概念和韵味.俺则把他归之为性变态摄影哲学家.这张照片是难得清淡的一张,其拍摄手法并不太变态,也用模糊哈.

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Marc Lagrange (born in 1957,Belgium)
<br />精美的曲线,冷冷的眼神,体现出摄者对God created women 的热爱以及对于男人世界装模做样人五人六的高度鄙视.汗!<br /><br /><br />

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Sally Mann(born in 1951 ,USA)
<br />缺憾美之proud of flesh之免磨皮<br /><br />

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Danielle Tunstall
<br />过目不忘的恐怖美<br /> <br /><br /> <br /><br /> <br /><br /> <br /> <br /><br /> <br />
------------------------------------------------------谢谢观赏 up制作@2011------------------------------------------------------

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