Mozart pieces require a delicate and balanced melody. Yundi does not pay attention to either of those characteristics and invokes a heavy atmosphere in the music. Although it is reasonable to do this to some degree, playing the left hand and right hand at a near equal footing and doing little to bring out the contrast in the right hand does not make this interpretation sound Mozartian. Furthermore, Mozart indicates many changes in articulation, marked by the changes in tempo across the music. Yundi keeps a legato feel to the music even when there are no legato lines and even more, continues to play them as if it were a dramatic Beethoven sonata. All these factors - the lack of contrast and his disregarding of the melody line - detracts from the direction of every note and thus the overall quality of his performance.
莫扎特的作品 旋律细腻、平衡。云迪不注重这两个特点，而是营造出一种沉重的音乐氛围。虽然这样做在一定程度上是合理的，但他左右手弹奏出的voicing 相近，和右手的对比很少，让这种诠释听起来并不像莫扎特。此外，莫扎特的音乐呈现 有很多变化，通过音乐节奏tempo的变化来实现。云迪的弹奏显现了连奏感，即使没有连奏线，使得演奏更像贝多芬的戏剧性奏鸣曲。所有这些因素——缺乏对比和对主旋律线的漠视——都削弱了每个音符的方向，从而降低了他演奏的整体质量。
推荐András Schiff 的版本。前不久有幸在现场听过他个人的钢琴独奏会。真是一位谦和的钢琴大师。
