爱好收集H家的围巾，只是因为喜欢，喜欢漂亮精致的东西。2013年过于腐败，检讨，但高兴的是自己的colletion 里面不仅增加了数量，也增加了品种。以前错过的一些设计，去年也在某bay 找到了，算是安心了。
90丝就是边长90公分的100% silk twill，应该是它家围巾里最受人欢迎的。去年90丝收得比较多，今天上一部分，这些都是在店里买的。另外，每条丝巾的设计后面都有故事，我能找到的都贴到这儿。丝巾平铺和折起来，有时效果会很不一样，所以都有折起来的照片，供大家参考。真人秀的木有，好几条还没来得及戴呢，天就冷得戴不了了。CW = color way.
1) "2663 Dame de Coeur" by Pierre Marie (CW: Noir/Orange/Sepia)
来自于2011FW (fall/winter season)，是个reissue。这个设计师的作品在90丝里，这是我收集的第二条。今年买的羊绒披肩里也有一条来自于他。他的风格都很细腻，很多曲线和details. 刚开始觉得这上面的扑克牌过于有拉斯维加斯风，11年试戴了其他几个ＣＷ，也没有心动，直到试了这个ＣＷ。它家的东西很奇怪，经常是同一个设计，换个颜色会给人完全不一样的感觉。
关于设计（来自官网）：
The creator for Hermès of a deck of cards populated with mythical creatures, here the designer of this scarf leads them in a graceful dance. Surrounded by a whirl of coloured ribbons, all encircle and protect the joker, the champion of their victory! No serious matter, earth, water, air and fire have a more playful demeanour. Humorous and dreamlike world in which fish smoke pipes and lady dragons contemplate their reflection in a mirror. In the world of the air the queen becomes a dove, in the earth, she transforms into a small dog of slender snout. If the Jack of spades takes the form of a charming seahorse in the world of water, the King of Diamonds, master of the world of fire, wears a smile…like a crocodile.
前两张照片是官网的，后面是自己拍的。
2) "Ors Bleus d'Afrique" by Zoé Pauwels (CW: Violet/blanc/parme)
来自于2013SS (spring/summer)，这个设计师的作品在90丝里，这是我收集的第二条。虽然颜色不多，但紫得纯粹。在我的收集里面还没有这样的紫色的。设计本身也是我喜欢的异国风情和元素。
关于设计（来自官网）：
Textiles are among the many riches of the African continent - its myriad peoples create their own, distinctive fabrics drawing on local resources, and reflecting their particular needs and beliefs, with a diverse plethora of weaves, prints and techniques. Perpetuating this extraordinary heritage, the skills of Africa’s textile artisans are handed down day after day – a process dear to the heart of the house of Hermès. Freely inspired by Nigeria’s adire eleko print technique (based on starch stenciling) this carré celebrates the use of a precious dye – indigo, central Africa’s ‘blue gold’ – with a journey to the heart of the region’s myths and legends. Of course, Hermès carrés are never named for one colour alone (how could they be?): but here is an exception to prove the rule. Our colourists delight in reinventing each composition in a multitude of colourways.
前两张照片是官网的，但有色差。说到这里不得不提，它家丝巾真人看到实物，永远比照片更加漂亮。
俺家猫闺女喜欢抢镜。。。
3) "Mexique" by Caty Latham (CW: Fuchsia/Cyclamen/Gris)
2013SS出的，Latham也是个出名的设计师，这是我收集里第二条出自她手。我开始犹豫了很久是否买这条。主要是这个设计边上留白处太宽了，戴不好把好看的部分就折到中间看不见，就看见宽边了，所以我一般避免买宽边的设计。不过，最后还是被这个浓郁紫色的JEWELRY TONE 配上是蓝色的羽毛征服了。这个设计比较适合COWBOY 戴法，或者三角折斜戴着，这样可以把设计展现得更好一些。还有这个丝巾的滚边很漂亮，contrast hem是我一向的软肋。
关于设计（来自官网）：
A tribute to Mexico’s pre-Colombian civilisations, this carré features a delicate background design based on a stone disc evoking one of the most celebrated images of Aztec art. The Sun Stone, also known as the Aztec stone, inspired the celebrated poem of the same name by Octavio Paz. The twenty-four ton block was carved in the fifteenth century under the reign of Axayacatl, and rediscovered in Mexico City three centuries later. The design shows a select group of finely-decorated objects with symbolic motifs, placed on top of the stone: pendants and a statuette decorated with a feather headdress, from western Mexico. Pre-Colombian artefacts are so called because they predate the discovery of central America by Christopher Colombus, and the European invasions that resulted. The rich culture of pre-Colombian civilization is witnessed in the wealth of ruins and objects that survive, displaying astonishing artistry, architectural skill, and mathematical and astronomical knowledge.
第一张官网照片：
4) "Guepards" by Robert Dallet (CW: Blanc/Regaisse/Kaki Clair)
来自于2013FW，是个reissue。Dallet 是H设计师里面以擅长动物的描绘著名，广受H丝巾粉丝喜欢。中国题材四川就是出于他手。这条是我丝巾收集里面的第四条来自于他的设计，还有一条羊绒披肩也是他的设计。这次选的这条CW比较中性，而老虎豹子是我最喜欢的动物。
我对丝巾的设计要求是喜欢的题材，不仅平铺要好看，折起来也好看。丝巾两个不同的对角线折起来，效果有时迥异，在这个设计上就体现了这一点，这就是好的设计的奇妙之处。这里有见contrast hem, 呵呵。
关于设计（来自官网）：
This carré squares the perpetual, circling beauty of the cheetah’s racing stride, its paws clustered tight in a concentration of power, before the body stretches out, as if in flight, in an almost perfect straight line. Running ‘flat out,’ as the saying goes, though the clumsy phrase does no justice to the animal’s perfect elegance and finesse. The four corners capture other facets of this exceptional creature: tender, peaceful, family scenes, and the innocent grace of the cubs, soon to become mighty predators in turn. Three thousand years ago, the ancient Sumerians, and later the Egyptians, trained cheetahs as hunting companions. In the sixteenth century, the Great Moghul Akbar was said to have captured nine thousand of them over the course of his reign. Based on studies by Robert Dallet – one of our finest wildlife artists, noted for his drawings of Big Cats – this carré is a tribute to a magnificent, threatened species.
第一张官网照片，有色差啊，真吐血。。。
5) "La Promenade de Platon" by Annie Faivre (CW: Blanc/Vert/Gris)
来自于2013FW. Annie Faivre 也是广大粉丝特别喜欢的H设计师，非常多产，个人感觉以神秘的异国情调和细腻的笔触见长。这是我收集里的第7条来自于她的设计。也许什么时候把这7条贴个合集，放在一起，大家就能看出她的风格了，其实很鲜明和统一。这个设计很BUSY，所以我选了这个比较中性的CW。这个颜色春夏戴更合适，配白衬衫应该不错。
关于设计（来自官网）：
Plato loved to stroll in the gardens of Akademia. It was here, in 387 BC, that he founded his ‘Academy,’ the first of its kind in history, named after its birthplace, which was itself named for the ancient Athenian hero Akademos. Teaching at the Academy nurtured the mind and body alike. Plato wrote his Dialogues here, debating goodness, beauty, justice and truth in an elegant style worthy of the finest authors. A pupil of Socrates, the young Plato received a typical, aristocratic Athenian education, honing his skills as both an artist and gymnast. Drawing on artworks of the period, this carré evokes the annual Panhellenic games, held in honour of the gods. Here we see a horse and rider inspired by the Penthesilea Painter, famous for his beautifully decorated vases, and a javelin-thrower and horse from the canon of the vase painter and potter Euphronios. The Niobid Painter contributes his celebrated discus-thrower, the Euphiletos Painter hymns the ancient sprinters, and the Andokides Painter – an important pioneer of the Red Figure technique – honours the wrestlers. Inspired by their subjects of choice, designer Annie Faivre recreates scenes from ancient Greece, in her own inimitable style.
第一张官网照片
6) "Les Courses" by Yves Benoist Gironière (CW: Blanc/Noir/Gris Perle)
来自于2013FW. 一直都在找一个完美的黑白丝巾，2013年找到了。2013年秋冬季的主题是体育，我本来对这个主题没什么兴趣，但这个丝巾的设计的巧妙之处是，对角线不同的折法表现出来似乎是两条不同的丝巾。大家看照片就知道了。
关于设计（来自官网）：
Dynamic diagonals! The sense of speed is palpable. One corner for the start, its opposite for the finish. That initial burst of energy, heart racing, as the animal surges forward, its rider connected only by the touchpoints of reins and stirrups… From the stalls to the finishing line, rider and mount embody lightness, power, intuition and technique – two minds connected by a shared instinct, intimately attuned to each other’s reactions. Our passion for horse racing dates back to Antiquity, evolving subtly down the intervening centuries. The modern form emerged in France and England, in the seventeenth century. Racecourses multiplied over the next hundred years, and today the sport is celebrated at prestige events like the Prix de l’Arc de Triomphe in Paris, and the Epsom Derby in Surrey, England。
整体图案是这样的，网上没找到黑白的照片。
7) "Astrologie" by Françoise Façonnet (CW: Fuchsia / Mordore / Blanc)
这个丝巾非常special, 因为上面有绣我名字的initials。8月去NYC玩的时候，当时正赶上H店里活动，全球只有四家有这个活动。就是把过去的一些经典设计和最早出的经典颜色重新印出来, 限量，可以绣上名字的首字母。买了以后，丝巾送回巴黎由工匠刺绣，并不贵也不用掏运费。不过历时很长，我到10月下旬才收到。
这个配色ＣＷ应该是１９６３年始发的颜色。这款设计是太阳和十二星座，当年因为肯尼迪夫人戴过而名噪一时。整个配色非常鲜艳，在我的收集里面这样的还真不多。第一张照片里绣名字字母的地方处理了一下。
发帖真是个辛苦活儿啊。。。今天到这儿，下次Part II 把在某BAY上买的几条也和大家分享下。然后还有其他几个主题和介绍：Summer Twill, Maxi Twilly and cashmere shawl. Stay tuned...... Thanks for letting me share!
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