【贝多芬音乐欣赏】第五交响乐，Liszt transcription

【贝多芬音乐欣赏】第五交响乐，Liszt transcription

Cyprien Katsaris: Piano

Beethoven Symphonies, S.464, is a set of nine transcriptions for solo piano by Franz Liszt of Ludwig van Beethoven's symphonies.

Liszt began the work in 1838, but at that time only completed the Fifth, Sixth and Seventh Symphonies, of which the Fifth and Sixth were published by Breitkopf & H?rtel and the Seventh by Tobias Haslinger. In 1843, he arranged the third movement of the Third Symphony, which was later published by Pietro Mechetti in 1850. Liszt was paid 8 francs per page by Breitkopf & H?rtel, who first requested two symphonies to be transcribed. During his 1840 travels in Europe he might have given the transcribed symphonies some publicity by playing them at his concerts. With three symphonies transcribed, Liszt set aside the work for another 23 years. It wasn't until 1863 that Breitkopf & H?rtel suggested to Liszt that he transcribe the complete set for a future publication. For this work, Liszt recycled his previous transcriptions by simplifying passages, stating that "the more intimately acquainted one becomes with Beethoven, the more one clings to certain singularities and finds that even insignificant details are not without their value". He would note down the names of the orchestral instruments for the pianist to imitate, he would also add pedal marks and fingerings for amateurs and sight readers.

When Liszt was trying to transcribe the choral movement of the Ninth Symphony for solo piano, he became "...convinced of the impossibility of making any pianoforte arrangement of [it]... that could in any way be... satisfactory". (He had in fact completed a transcription of the Ninth Symphony for two pianos in 1850.) Nevertheless, he made another attempt after an expressive letter from Breitkopf & H?rtel. The full set of transcriptions was finally published in 1865 and dedicated to Hans von Bülow. The original publication of the Fifth and Sixth symphonies had been dedicated to the painter and amateur violinist Jean Auguste Dominique Ingres.

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所有跟帖： 

• 沙发. 古色古香! -随便贴贴- ♂ (0 bytes) () 07/25/2013 postreply 03:52:57

• 谢谢！ -尘埃2.0- ♂ (0 bytes) () 07/25/2013 postreply 15:06:02

• 首次听到钢琴版! Very Interesting. 谢谢分享!! -a_reader- ♂ (0 bytes) () 07/25/2013 postreply 12:39:13

• 谢谢欣赏。 -尘埃2.0- ♂ (0 bytes) () 07/25/2013 postreply 15:06:38

• 有第六交响乐(钢琴版)? -a_reader- ♂ (0 bytes) () 07/25/2013 postreply 12:43:39

• 有，下次再发。 -尘埃2.0- ♂ (0 bytes) () 07/25/2013 postreply 15:08:20

• Thanks! -a_reader- ♂ (0 bytes) () 07/25/2013 postreply 16:20:02

• 打开油管这链接听，3.5.6.9都有让你听个够 -随意- ♀ (224 bytes) () 07/25/2013 postreply 21:06:21

• Thanks a lot!! -a_reader- ♂ (0 bytes) () 07/26/2013 postreply 12:50:29

• 哼，破钢琴！没一点气魄，就会给音乐涂脂抹粉。真想代表贝多芬，向你抗议！ -齐心- ♀ (0 bytes) () 07/25/2013 postreply 14:06:02

• 您是要向我，还是向李斯特，还是Cyprien Katsaris，还是钢琴制造商， -尘埃2.0- ♂ (116 bytes) () 07/25/2013 postreply 15:22:32

• 您是要向我，还是向李斯特，还是Cyprien Katsaris，还是钢琴制造商， -尘埃2.0- ♂ (201 bytes) () 07/25/2013 postreply 17:55:46

• 那就跟贝多芬商量好再来？ -尘埃2.0- ♂ (265 bytes) () 07/25/2013 postreply 18:33:55

• 你们6个，有一个算一个，快点改邪归正，不要随波逐流，向下堕落。应该像贝多芬一样，勇于追求音乐里面蕴藏的精神宝藏， -齐心- ♀ (239 bytes) () 07/26/2013 postreply 17:43:40

• 呵呵，会不会有些太尖刻？ -随意- ♀ (218 bytes) () 07/25/2013 postreply 21:11:47

• 呵呵，会不会有些太尖刻？ -随意- ♀ (146 bytes) () 07/25/2013 postreply 21:17:10

• 有些的心脏，比较软弱，不能聆听真正的音乐，于是，就把乐曲演奏成轻飘飘的，弱弱的，软软的，柔柔的，这就叫给音乐涂脂抹粉。 -齐心- ♀ (0 bytes) () 07/26/2013 postreply 17:54:49

• 谢谢尘埃好贴！李斯特对贝多芬交响曲的改编是很成功的， -Rainier- ♀ (1167 bytes) () 07/25/2013 postreply 19:41:50

• 谢谢珊瑚喜欢。 -尘埃2.0- ♂ (0 bytes) () 07/26/2013 postreply 18:31:03

• 钢琴命运， 气势辉宏，谢谢尘埃美贴！！ -潜水听- ♂ (0 bytes) () 07/26/2013 postreply 06:35:42

• 谢潜水听。 -尘埃2.0- ♂ (0 bytes) () 07/26/2013 postreply 18:30:31

• 请教，为什么贝多芬的第一钢协好像较少被人提起？尘埃大师或其他哪位可以点评一下么？谢谢！ -melody77- ♀ (94 bytes) () 07/26/2013 postreply 19:40:05

• 因前一二号钢琴协奏曲，是他早期还未完全形成凸现他个人风格，明显 -华灜- ♀ (539 bytes) () 07/27/2013 postreply 08:12:46

• 因前一二号钢琴协奏曲，是他早期还未完全形成凸现他个人风格，明显 -华灜- ♀ (522 bytes) () 07/27/2013 postreply 08:34:47

• 因前一二号钢琴协奏曲，是他早期还未完全形成凸现他个人风格，明显 -华灜- ♀ (792 bytes) () 07/27/2013 postreply 09:01:59

• 因前一二号钢琴协奏曲，是他早期还未完全形成凸现他个人风格，明显 -华灜- ♀ (830 bytes) () 07/27/2013 postreply 09:13:03

• 不是大师，这称呼担当不起：） -尘埃2.0- ♂ (887 bytes) () 07/27/2013 postreply 11:44:57

• 不是大师，太不敢当了！ -尘埃2.0- ♂ (775 bytes) () 07/27/2013 postreply 13:05:02

• 谢谢，的确如此 -melody77- ♀ (161 bytes) () 07/27/2013 postreply 21:37:15

• 嗯，您前面的疑问也有道理可言的。因贝多芬创作第一二号钢琴协奏曲时，尚未 -华灜- ♀ (826 bytes) () 07/28/2013 postreply 07:28:35

• 嗯，您前面的疑问也有道理可言的。因贝多芬创作第一二号钢琴协奏曲时，尚未 -华灜- ♀ (1002 bytes) () 07/28/2013 postreply 07:46:52

• 嗯，您前面的疑问也有道理可言的。因贝多芬创作第一二号钢琴协奏曲时，尚未 -华灜- ♀ (985 bytes) () 07/28/2013 postreply 08:01:30

• 写得好！ -尘埃2.0- ♂ (0 bytes) () 07/28/2013 postreply 10:05:06

• 很有帮助，谢谢 -melody77- ♀ (0 bytes) () 07/29/2013 postreply 19:41:55

• 嗯，因第一二号还未形成凸现他的个人风格，明显有继承他的先辈莫扎特与海顿的传统， -华灜- ♀ (723 bytes) () 07/27/2013 postreply 14:47:28

• 聆听钢琴名家精彩演绎贝多芬第五交响乐,谢谢好帖和详细介绍！ -慧兰- ♀ (66 bytes) () 07/26/2013 postreply 20:14:28

• 聆听钢琴名家精彩演绎贝多芬第五交响乐,谢谢好帖和详细介绍！ -慧兰- ♀ (70 bytes) () 07/26/2013 postreply 20:19:53

• 谢谢你回帖。周末愉快！ -尘埃2.0- ♂ (0 bytes) () 07/27/2013 postreply 06:36:32

• 名家经典，典藏作品，钢琴命运，气势辉宏，谢谢尘埃美贴！！ -潜水听- -小得- ♀ (0 bytes) () 07/27/2013 postreply 05:44:58

• 谢谢小得回帖。周末愉快。 -尘埃2.0- ♂ (0 bytes) () 07/27/2013 postreply 06:37:29

• 同意齐心说的,这钢琴弹得没有力气，成了华尔兹了. -在座- ♀ (0 bytes) () 07/27/2013 postreply 23:23:37

• 谢谢点评。 -尘埃2.0- ♂ (0 bytes) () 07/28/2013 postreply 10:15:07

• 百花齐放，各艳其色。做贴的很辛苦，看贴点评很容易。不喜欢的可以飘过，干嘛这么尖克，大顶美贴和做贴的！！！ -流失- ♀ (0 bytes) () 07/28/2013 postreply 19:34:04

• 干嘛这么尖克，大顶美贴和做贴的！！！ -流失- ♀ (0 bytes) () 07/28/2013 postreply 19:36:19

• 干嘛这么尖刻，大顶美贴和做贴的！！！ -流失- ♀ (0 bytes) () 07/28/2013 postreply 19:47:12

• 谢谢鼓励。 -尘埃2.0- ♂ (0 bytes) () 07/29/2013 postreply 18:50:04